
“We don’t get the family we deserve,” a character says early in A Little Life, Hanya Yanagihara’s hefty, tragic novel. He is being self-effacing: he has had a better family than most, but is trying to show empathy to his friend.
The comment, though, is a controlling idea of the sad story. Jude, named after the saint of lost causes, is taken in by religious brothers after he is abandoned by his biological parents as a baby. They abuse him horrifically and the effect of that abuse is the emotional trajectory of the novel.
Jude does have a better life than many: at a Boston area college he bonds with Willem, an aspiring actor from Wyoming. Their connection is the heart of the story. JB is a Haitian American artist from New York, the city all three end up in after graduation. (Another college friend, Malcolm, is part of the story although he doesn’t get much attention from the author.)
Jude becomes a lawyer while Willem has success as an actor. (I loved the detail about the projects he did, titled things like The Kingdom of Frankincense) Jude is adopted by a kindly law professor, Harold, and his wife. Jude leads a mainly chaste life while Willem has a few girlfriends. After Jude finally meets someone, Caleb, he is horrifically abused by him.
Eventually (and this surprised me a bit) Willem convinces Jude that they should be together. It’s about as non romantic a decision as I’ve seen in a book, but there is also an unusual devotion between them.
Despite an adoptive family and an ideal partner, Jude is not able to enjoy his life. For years, he cuts himself. He attempts suicide. And he hates sex even with someone he loves.
In addition to strong characterization, the author is a skilled stylist. Look at all she does with a paragraph in which Willem is taking a walk in Saigon:

The book is not perfect: at 700 pages, it sprawls at times and has a lot of unnecessary characters. But the emotional truth of Jude is spot-on.
(Part Two is next week.)

































